Surrogates

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  • Generally intriguing futuristic thriller, set in an America where people live their lives through ideal-looking robotic surrogates that they remote-control by their thoughts, follows an FBI agent (Bruce Willis) and his partner's (Radha Mitchell) investigation of a high-profile murder as well as his struggle to reconnect with his wife (Rosamund Pike) who refuses to interact with him except via her mechanical alter ego. Director Jonathan Mostow's adaptation of Robert Venditti's graphic novel is a cautionary tale about the perils of technology, especially its potential to cut us off from human contact and the world of nature, and an exploration of the values undergirding a successful marriage. Considerable action violence, drug use, brief sexual situations, a couple of uses of profanity and a few crude and crass terms. A-III -- adults. (PG-13) 2009

    Full Review

    "Life, only better." So runs the advertising slogan of the conglomerate whose technological breakthrough -- the development of a race of ideal-looking robotic alter egos remote-controlled by their human owners' thoughts -- provides the premise for the futuristic thriller "Surrogates" (Touchstone).

    This generally intriguing cautionary tale begins with a series of flashbacks showing us the profound, and seemingly positive, social changes brought about by the use of these mechanical avatars. As more and more people opt to remain in the safety of their homes and live their lives vicariously through their surrogates, for example, the crime rate dwindles to nothing.

    So law enforcement authorities are shocked when the college-aged son of the man who invented surrogacy -- the wheelchair-bound scientist is played, at different ages, by James Francis Ginty and James Cromwell -- is murdered. Adding to their bewilderment is the fact that the young man died because his surrogate was destroyed, something that was thought to be impossible.
     
    Assigned to investigate the high-profile case, Boston-based FBI agents Greer (Bruce Willis) and Peters (Radha Mitchell) gradually uncover a conspiracy that appears to involve the above-mentioned corporation, the Army, and even a group of anti-surrogate activists whose dreadlocked leader calls himself the Prophet (Ving Rhames).

    Off the job, Greer mourns for his little son, who was killed in an auto accident, and longs to reconnect with his wife Maggie (Rosamund Pike). But Maggie -- whose grief has caused her to become addicted to prescription pills -- refuses to interact with him except via her surrogate, fearing that Greer will reject her if he sees the graying, ravaged figure she has become.

    Director Jonathan Mostow's adaptation of Robert Venditti's graphic novel "The Surrogates" dramatizes the perils of contemporary technology, especially its potential to cut us off from human contact and from the world of nature. Through Greer and Maggie's troubles, John Brancato and Michael Ferris' script also explores the spiritual values undergirding a successful marriage.

    The film contains considerable action violence, drug use, brief sexual situations, a couple of uses of profanity and a few crude and crass terms. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.




    Movies have been evaluated by the U.S. Conference of Catholic Bishop's Office for Film and Broadcasting according to artistic merit and moral suitability. The reviews include the USCCB rating, the Motion Picture Association of America rating, and a brief synopsis of the movie.

    The classifications are as follows:

    • A-I -- general patronage;
    • A-II -- adults and adolescents;
    • A-III -- adults;
    • A-IV**
    • L -- limited adult audience, films whose problematic content many adults would find troubling. L replaces the previous classification, A-IV.
    • O -- morally offensive.
    ** Discontinued classification. All archived movies that were originally in the A-IV category are now classified as L.
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    Office for Film and Broadcasting | 1011 First Avenue, 13th Floor, New York, NY 10022 | (212) 644-1880 © USCCB. All rights reserved.